Ausencias. Notas para un corto.
(...) Cinema appropriates places but also creates them; that it is, at one time, the art of the represented space but also the art of the built space, and that for this very reason the whole film hinges on a never resolved tension between what Deleuze calls “representation”, organised according to the logic and order of the “Self”, and “repetition”, open to the difference and to the “Other”.
What is cinema but an imaginary kind of promenade, a flânerie, a wandering look over the places of architecture?
Skin and stone, body and city Abílio Hernandez
JACK Journal of Architecture and Cinema Fall 2013.
La presente serie forma parte del proceso de documentación para el guión de un cortometraje documental titulado Ausencias, actualmente en desarrollo.
(...) Cinema appropriates places but also creates them; that it is, at one time, the art of the represented space but also the art of the built space, and that for this very reason the whole film hinges on a never resolved tension between what Deleuze calls “representation”, organised according to the logic and order of the “Self”, and “repetition”, open to the difference and to the “Other”.
What is cinema but an imaginary kind of promenade, a flânerie, a wandering look over the places of architecture?
Skin and stone, body and city Abílio Hernandez
JACK Journal of Architecture and Cinema Fall 2013.
La presente serie forma parte del proceso de documentación para el guión de un cortometraje documental titulado Ausencias, actualmente en desarrollo.
Ausencias. Notas para un corto.
Del lado de allá.
Del lado de allá.
Imágenes de Alsacia, 2013-2017
Del lado de allá.
Imágenes de Alsacia, 2013-2017
Del lado de allá.
Imágenes de Alsacia, 2013-2017
Imágenes de Alsacia, 2013-2017
Rehabilitación Mercado Abastos
Pozoblanco, 2017
About
Pozoblanco (Spain), 1989.
Araceli Calero is a spacial design practitioner and registered architect. She graduated with honors in Architecture by the ETSAS (Seville, Spain), and spent a year studying at the ENSAS (Strasbourg, France). She is currently studying a masters degree on Production Design at ESCAC (Escola Superior de Cinema i Audiovisuals de Catalunya).
Her thesis project, El Tercer Lugar, Proyecto de reconversión del Cerco Industrial de Peñarroya-Pueblonuevo was selected and presented at the International Seminary of Industrial Heritage Seville-Sao Paulo in 2015.
Over the past six years, she has collaborated with several architectural firms in France (V2S Architectes, Dominique Coulon & Associés, LPAA Loïc Picquet Atelier Architecture, Atelier WAC).
Since 2020, she is co-founder of the architecture and design office vaga-estudio with the architect Pablo Martín. At the moment she develops both individual and collective projects in architecture, design, photography and cinema. She was part of the project Swing Backpack, currently in display at the Spanish Pavilion of the 17th Biennale di Venezia International Architecture Exhibition.
Publications
2021
Spanish Pavilion at the 17th International Architecture Exhibition, La Biennale di Venezia 2021
Project Swing Backpack with the architects Rosa Gallardo and Macarena Castillo
2018
Project Swing Backpack with the architects Rosa Gallardo and Macarena Castillo
2017
Grafting to roots. EUROPAN 14: La ciudad productiva. La Bazana, España.
Publication. In collaboration with the architects Pablo Martín, Rosa Gallardo and Juan Luis Romero
2017
Market Refurbishment, Pozoblanco.Córdoba.
3rd prize. In collaboration with Antonio Calero, Antonio A. Ballesteros and Ricardo Figueroa
2015
Los zapatos rojos. Perlas Section. 63º Festival de Cine de San Sebastián.
Finalist project in the Poster Competition. In collaboration with Pablo Martín.
2015
Tangencias. Internacional Seminary Sevilla-São Paulo. ETSAS, Sevilla.
Conference and Publication. In collaboration with Rosa Gallardo.
2011
El territorio como Demo: demo(a)grafías, demo(a)cracias y epidemias. UNIA 2009.
Collaboration with the university departament of Teoría de la arquitectura, ETSAS. IBSN: 978-84-7993-212-1.