Ausencias. Notas para un corto.
(...) Cinema appropriates places but also creates them; that it is, at one time, the art of the represented space but also the art of the built space, and that for this very reason the whole film hinges on a never resolved tension between what Deleuze calls “representation”, organised according to the logic and order of the “Self”, and “repetition”, open to the difference and to the “Other”.
What is cinema but an imaginary kind of promenade, a flânerie, a wandering look over the places of architecture?
Skin and stone, body and city Abílio Hernandez
JACK Journal of Architecture and Cinema Fall 2013.
La presente serie forma parte del proceso de documentación para el guión de un cortometraje documental titulado Ausencias, actualmente en desarrollo.
(...) Cinema appropriates places but also creates them; that it is, at one time, the art of the represented space but also the art of the built space, and that for this very reason the whole film hinges on a never resolved tension between what Deleuze calls “representation”, organised according to the logic and order of the “Self”, and “repetition”, open to the difference and to the “Other”.
What is cinema but an imaginary kind of promenade, a flânerie, a wandering look over the places of architecture?
Skin and stone, body and city Abílio Hernandez
JACK Journal of Architecture and Cinema Fall 2013.
La presente serie forma parte del proceso de documentación para el guión de un cortometraje documental titulado Ausencias, actualmente en desarrollo.
Ausencias. Notas para un corto.
Del lado de allá.
Del lado de allá.
Imágenes de Alsacia, 2013-2017
Del lado de allá.
Imágenes de Alsacia, 2013-2017
Del lado de allá.
Imágenes de Alsacia, 2013-2017
Imágenes de Alsacia, 2013-2017
Rehabilitación Mercado Abastos
Pozoblanco, 2017
